Use it to show the displays with audio video content, always in constant reproduction. Next, check if there are any cracks on the LCD surface. Set aside, archived as obsolete and to be thrown away, it has been lying in storage for some time.
If you decide to revive him with an unusual ritual.
It is fed continuous sound frequencies so that the fan will vibrate and its internal components will fine until the deep sound emerges.
Its state of a utility has been transformed into another, in some cases new, the mutation is complete. Succubus of the limits imposed by physical damage he explodes in a bloody struggle to abandon his obsolete body.
Totally incapable of will and action, the D-ZOMBIE is subject to the limits imposed by his body.
An impulse there is a way of escape from this situation.
A digital being, a soprannatural spirit that close to us from this body that treats it in its debt.
Blocked in his body, close to us, will overcome the confines of his preceding existence.
Infected by continuous specific frequencies if we have the ability to give life to a technological corpse.
For over a decade, transmedia artists Saverio Villirillo and Gregorio Comandini have been exploring the relationships between humans and machines, producing works ranging from installations, exhibitions, and social practices. After founding NONE collective, the duo of architects and A/V artists continues their investigation into the threshold between perception, consciousness and imagination with artistic practices that induce the audience into a liminal state.
Through the language of new media, the artists aim to guide participants in their works into ecstatic states where the boundary between reality and imagination dissolves. Mental journeys are generated by overstimulated bodily senses, assuming a condition of permanent change between present and future, fiction and reality, possible and impossible.
The liminal state of altered consciousness arises from speculative narratives where the artists activate a liminal rite in which the audience takes on the central role of enchantment generator, thus constituting the fantastical substance, the magical matter that frees itself from a disenchanted world overwhelmed by a cynical realism. The duo defines a transmedial aesthetic characterized by dark environments, where light, video and sound construct cyclic patterns, sudden glimpses, suspensions and hypnotic crescendos that become disruptive energy and lead to an unexpected rupture.
Their installative and performative works resemble collective rituals where participants find themselves in a liminal state on the threshold of consciousness, identity and time, where social constraints can be temporarily dissolved and future perspectives can be questioned. The dissolution of order during liminality creates an ambiguous, fluid, and malleable situation that allows for the establishment of new customs and an individuation process.
Saverio and Gregorio’s works have been exhibited at Light Art Museum (Budapest/HU), Somerset House (London/UK), Fukuoka Science Museum (Fukuoka/JP), Farol Santander (Sao Paulo/BR), GresArt 671 (Bergamo/IT), Design week (Milan/IT), K11 Art Space (Guangzhou/CN), Palazzo delle Esposizioni (Rome/IT).
They designed and realized historical and scientific outreach exhibitions including “Copernicus and the Revolution of the World” at the Archaeological Park of the Colosseum (2023, Rome), “Classico Pop” at the National Roman Museum (2018, Rome), the Italian Museum of Audiovisual and Cinema (2019, Rome), the Roman Museum of Santa Giulia (2023, Brescia).
